Issue 43 (Spring 2010) Pages – 53-77
This paper takes one of Lacan’s “o objects” – the look – as its starting point. Lacan developed his thinking on the implications of perspective geometry for painting in 1966 in his seminar on The Object of Psychoanalysis where he showed its importance in Velasquez’s Las Meninas. Georgin and Porge develop the linkages between projective geometry and topology in order to show the gap which exists between the look and the gaze – the look being on the side of the subject and the gaze being on the side of the object, hence opening up a gap which is one of the avatars of the cross-cap.
As Lacan recalls on the occasion of the anniversary of the twenty-third centenary of the death of Aristotle, the o is “complex in the extreme”…..